Showing posts with label deutsche-grammophon. Show all posts
Showing posts with label deutsche-grammophon. Show all posts

Monday, September 16, 2013

Siegfried



NOT a dull production
I disagree strongly with the reviewer who complained that this production is "dull". It is rescued from dullness by Heinz Zednik, the genius who plays Mime, and by fantastic sets. Also, James Morris is at his peak as the Wanderer, totally convincing visually and vocally (except for his American accent) and he's the only one I've heard so far who can sing the line: "Ha-ha, ha-ha, ha-ha-ha-ha, der witzigster bist du ..." with all the "ha"s correctly timed. Everyone else--especially Hans Hotter--consistantly screws up this line, even in studio recordings.

Ekkehard Wlaschiha hits a homer as Alberich. Superbly menacing as he threatens the Wanderer and a great bully when he fights with Mime over the treasure. He is not dark and dense; his voice doesn't punch you as some do, but his high notes are excellent.

A truly great production!
This was a very grand production of Seigfried. Master Levine does an incredible job as conductor and his interpretation of Wagner is grand. I do not think the production is dull. The lighting is a bit dark at time, but I think that James Morris is superb as the Wanderer. As expected a very good Metropolitan Opera performance. This completes the Ring Cycle for me.

which one is it?
The DVD case shown does not match the reviews or cast. The case is for 2013 release and the review is for 1993 release I belive. Amazon need to correct the error

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Sunday, September 15, 2013

Gotterdammerung



A perfect opera experience
The visuals were powerful and imaginative, not merely realistic. Wagner would have been proud. Hagen nearly stole the show, as a tormented, mighty villain, but Siegfried--Jay Hunter Morris--had already stolen it. He was the perfect Siegfried: beautiful singing, a charming combination of innocence and manliness, and a seemingly effortless stage presence, ranging from romantic to playful, to tragic. Voight, as Brunhilde was, as always, the dominating and convincing goddess-turned-mortal. I would recommend this performance to anyone who loves opera. Unlike some of Wagner's work, this one is never static, often melodic, and always gripping.





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